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An innovative educational framework to help to effectively and permanently increase the creative competence of individuals and organizations

PRAGUE, 26-Aug-2022 — /EPR EDUCATION NEWS/ — In the 21st century, creativity is a key skill that people need in business, education and to develop companies. It helps to solve complex societal, social and environmental challenges – and to date, it has not been used enough. Therefore, an international team of experts from six European countries, led by the Czech team, has created a new, innovative method that changes existing procedures in problem-solving, education and teamwork. Called the Kinetic Method, it can be used by non-governmental organizations in youth work and adult education, or to explore solutions to social problems, such as racism or social exclusion. But it can also be used by companies for team building, or by universities.

The authors presented the results of their work in a new book: The Kinetic Method – A Playbook for Solving Problems. Developing this method took them 10 years of work, and the European Union Erasmus + programme financed the publication of their results.

The Kinetic Method can be used, for example, by the managers of social or educational organizations, social and youth workers, learning facilitators or coaches working in team building – anyone dealing with developing team performance, personal and professional development, and creativity for problem solving, innovation and resilience.

The Kinetic Method aims to become a well-used and sustainable tool. The authors state that this innovative framework will help to effectively and permanently increase the creative competence of individuals and organizations – and that this creativity can be learned. They view creativity as a learning outcome rather than a characteristic or personal trait.

“The Kinetic Method allows youth workers to support not only young people to develop their creativity so that they can more easily find a life path and a job. It boosts the development of creative skills and self-confidence, offers educators a way of reaching socially excluded young people, contributes to the preventing intolerance and fights against the radicalization current in Europe,” says co-author and senior trainer, consultant Zora Csalagovits from Hungary.

What makes the Kinetic Method and the book unique?
The Kinetic Method uses functional creativity to enable groups of people to work together while pursuing their goals and progress at work. It demonstrates how to increase the value of contributions in groups and boosts the ability to solve complex tasks. It consists of a set of practices related to skills, mindset and environment. It is not merely creativity itself, but creativity that is directed towards a common purpose or goal that is meaningful to society.

Whenever you are working on something that is important to you, you need to think creatively. “We have divided the approach to learning how to be creative into skills (the basic competencies that people use in creative tasks), mindsets (attitudes that are necessary for developing persistence and good habits in creative practice) and environment (the context of creativity), which can make or break our creative endeavours and our ability to collaborate creatively). In this way, we talk about embedding creativity in how we approach new things, how we think about ourselves and how we collaborate with others,” Karolina Iwa from Poland, social innovator, intercultural psychologist and co-author, describes the method.

The book The Kinetic Method – A Playbook for Solving Problems summarizes the history of this methodology, a collection of methods and activities, and provides a description of methods in each of the nine chapters, with easy-to-follow instructions. This variety also reflects the different life experiences of the co-authors. One of the most difficult tasks was learning to ask good questions, which surprised the authors during their research. Often individuals are so driven by the search for answers that they forget the whole journey of the question itself, they say.

“This methodology supports creative action by building basic competencies in how to think and approach a problem right from the start, how to develop the necessary internal characteristics for building these skills and co-create an environment in which all participating members of the community can be creative,” confirms Mariana Marques, director of YUPI and trainer from Portugal.

Why is the method called Kinetic?
Kinetic means ‘relating to or resulting from motion’. “The word kinetic, for us, was about transforming people’s potential into a real action. Taking the creativity that is inside each of us, and finding a way to activate it. We wanted to think of creativity as something you can learn and also learn to direct or control when you need to,” explains American social scientist working in the UK, consultant and co-author Tracie Farrell. The authors, she says, wanted to demystify the idea of creativity as something that you are either born with or not, a talent you have or don’t have, and show people how it is really a collection of skills, mindsets and environmental features that make up creative action. “In a world full of very complex problems, we need everyone to contribute useful and interesting ideas. We wanted to help people gain the confidence to be able to do that,” says Tracie Farrell.

To develop the Kinetic Method, the authors collaborated with 100 users, one of whom was lecturer and manager Aneta Bednářová, director of the non-profit organization Genesis from the Czech Republic. “I have been training people who work with children and youth and management in the non-profit and private sector all over the world for many years. Their projects have a social impact. But they are often a group of enthusiasts who have not, however, mastered management or leadership skills. The Kinetic Method is an interactive form of informal education, which can be applied when working with children, team building, strengthening working relationships and solving personal problems. It binds the team together and clearly defines roles – and as a result, the team works more efficiently,” concludes Aneta Bednářová, who coordinated the entire project.

The project partners:
Genesis Czech Republic, YUPI Portugal, TE-IS Hungary, Youth Garage e. V., Associazione Interculturale NUR and MODE, move & develop foundation

About the authors:

Karolina Iwa is a social innovator, large group facilitator, intercultural psychologist and Theory U practitioner who supports systems and individuals to transform society and to face complex challenges. She is a member of many global OD communities driving positive change in the world, and the co-founder of Leadership Festival, a collective effort committed to co-emerging new paradigm(s) of leadership. She is a member of the Advisory Board of the Global Learning & Exchange Network and a researcher and author in the field of functional creativity. In her free time, she is an avid mountaineer both in summer and winter, a sailor and an explorer of intergenerational narratives.

Tracie Farrell PhD is a research fellow at the Knowledge Media Institute of the Open University. Her areas of study include online social harm (such as hate speech and misinformation) and technology-enhanced learning. In 2022, she was awarded a UKRI Future Leaders Fellowship, for research on queering AI and its subfields in relation to social justice. In her free time, she plays boardgames and video games, and enjoys the seaside with her dog.

Zora Csalagovits is a senior trainer and consultant with a rich history of working in learning and development, especially in the field of international youth work. A Gestalt therapist, she is skilled in individual coaching and working with groups, non-formal educational methodology, diversity & inclusion management, and graphic recording. She is passionate about creativity and visualization as supporting tools in learning; when free, she enjoys fun (board)games and outdoor gatherings with friends and family.

SOURCE: EuropaWire

Amy Remmele Retains eXubrio Group to Promote Her Newest Book

Every business revolves around people. The same is true for life. In her new book, “CLO: Chief Life Officer,” author and consultant Amy Remmele shows that decisions become more rational when individuals think of their lives as an enterprise that they are managing. Ms. Remmele has retained Buffalo-area marketing firm, eXubrio Group LLC, to promote her new book.

CLO: Chief Life Officer” shows readers their “departments,” and how they function best through an authentic, shared mission. “Seeing parts of ourselves as departments makes more common sense than the psychological view of parts,” explains the author. The book stresses that all the How-Tos readers encounter will not help unless they look at the Whys of their actions.

“CLO: Chief Life Officer” helps readers create their own life business plan. The plan includes setting goals, communication and relationship creation, and maintaining and accessing a support system. Readers learn to define important divisions of their lives in terms of business departments. The book helps readers test their capacity of readers’ production, customer service, human relations, and sales departments. The book demonstrates how to create and apply a “decisional balance table” to life choices, enabling readers to set the right priorities. About eXubrio Group LLC eXubrio Group is an advertising, marketing, public relations, and web development agency. The firm provides services that range from fundamental marketing strategy development through all areas of advertising, public relations, and marketing material production.

Via EPR Network
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The Book Of Dreams Project Chapter One Description

I was a little nervous when the students at Harford Friends School and I began our studies of The Underground Railroad,and local Black history.. After all, this was the Book’s first chapter, and uncharted territory for all.

As the kids settled in to the project,my fears were replaced with pride. After four three hour sessions, the first chapter of an original piece of fiction inspired by our studies had been composed. The story centers around a boy and girl, both slaves. The kids worked together, with no help from teachers or parents. I’m very proud of what they created. (click here to read) I emphasized to the students that there is history beneath our feet, and in front of our faces, everyday, everywhere. It’s just that many of us never bother to check it out,because we don’t know it’s there.

I knew that we would not have to look very far to find some tasty local Black history. After all,we live in Maryland!

As it turned out, we would Christen the Book Of Dreams by entering the first chapter just two miles from our school.

In 1867,a one room school house was built from wood,and stood amidst the rolling farm land of Darlington,Maryland. The school was for black children only,during the long years of segregation. The Hosanna school has been restored to it’s original condition.. It still stands alone with fields all around,as though little had changed. As we entered the classroom, there was a silence,occasionally punctuated by the creaking of a wooden floor board..The old desks were still in their original positions,empty and mute. A pot belly stove sat in the same corner as it always had when it was the sole source of heat for the small building. There was a quiet energy about this place..

It would not have taken much to imagine the ghosts of children and teachers long gone, learning to read,write,and add in this very room. Many of the children and some of their parents who had never learned to read walked 6-7 miles each way,rain or shine. Teachers in black schools such as this were paid about half of what teachers in the white schools were paid. The curriculum in black schools was very different than in white schools as well. The local board of education explained the disparity by stating that the black children would grow up to be farm hands,so they did not need the same level of education as their white neighbors children. The cool thing about today was, that we did not need to imagine ghosts.. We had Christine Tolbert with us, who along with her parents and grandparents, had been a student here as a young child.

We also had Gladys Williams who was Christine’s teacher,right here in the very room in which we all were now seated.

Today,they would both be OUR teachers. The kids listened well,and asked many questions as the ladies wove their stories of a bygone era..Later,Tamika Hudson read two original spoken word pieces to us all, in the voice of Harriett Tubman. Christine told us that even when she was a child,there had always been strong relationship between the Deer Creek Friends Meeting,and the Hosanna School, and surrounding black community.She said that today felt like a family reunion of sorts. Tamika and Gladys seemed to really hit it off,as did we all.The kids then put quill pen to Cotton paper,and the first chapter had been entered.

It was an awesome day, and not one that any of us will soon forget. I know that the Book will travel to many schools and historical sites,and I’m looking forward to seeing it take on a life of it’s own.

Via EPR Network
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Book Of Dreams Project By Gandhi Hurwitz

“All that is necessary for the triumph of evil is that good men do nothing.” (Edmund Burke)

The Book of Dreams is living testament to good people who chose to act when the evil of slavery governed in America. Written by American school children in the 21st century, it will tell the stories of ordinary people, black and white, enslaved and free, who tapped into deep waters and together worked to create safe passage to freedom on the Underground Railroad for thousands of American slaves. The Book’s creator, Gandhi Hurwitz, sees the project as a way for children to understand that if their ancestors could work together in such a tumultuous and primitive world, so can they in today’s world.

Born at the Steppingstone Museum in Havre de Grace, Maryland, the Book of Dreams was “beaten out of the fire, carved out of wood” by Steppingstone’s resident blacksmith, Tom Alexander, and Masters of the Shop and woodworkers, Wade Whitlock and John Weifenbach, with jointing by Joe Cambria. It is massive, structural, permanent. Handcrafted entirely of iron and black walnut, it measures 30”x 36” x 9” and weighs in at about 60 lb. Visitors to Steppingstone’s Fall Harvest Festival on September 23 and 24, 2006 will be able to watch these master craftsmen put the final touches on the Book of Dreams, using traditional techniques and hand- and foot-powered tools.

The Book of Dreams will “visit” its first school during Black History Month, in February 2007, where the students at Harford Friends School in Darlington, Maryland will research local Underground Railroad history and write Chapter One as a parent-led and expert guest enrichment activity. Hurwitz, whose daughter Clairellen attends the school, says he was inspired by local Quakers who worked on the Railroad, including members of Deer Creek Meeting where the school is located. (The previous Meetinghouse in Darlington is believed to have been burned down by arsonists who objected to Quakers’ antislavery activities.)

After leaving Harford Friends, the Book will travel far and wide to schools along Railroad routes in Maryland and beyond, perhaps circulating as far south as North Carolina. Students from each school will research local Railroad history and write a Book chapter. Each chapter will be recorded on a large sheet of archival cotton paper and entered into the Book. Hurwitz has invited Tamika Hudson, an actor and Harriet Tubman interpreter, to contribute a written piece in Tubman’s voice. After the Book has circulated, it will return to its permanent repository at Harford Friends School where 8th grade students will write the last chapter as part of their year-long study of Harford County and American history.

Hurwitz calls Steppingstone the perfect birthplace for the Book of Dreams. Located on the site of a Quaker family farm believed to have been a station on the Underground Railroad, Steppingstone is a living history museum and interpretive center of American farm life near the Mason-Dixon line. Hurwitz found receptive partners when he first presented his vision to Steppingstone’s Director, Linda Noll, its board of directors and craftsmen. Under the Museum’s sponsorship, the craftsmen – all volunteers – have dedicated dozens of hours to building the Book.

The Book’s striking appearance was inspired by a design created by Clairellen Hurwitz. Two wrought iron, life-size arms – one shackled and skeletal, the other unshackled – reach across the Books’ black walnut cover. They are connected by a railroad track. A hand-carved rendering of the African continent rises out of the wood. A burnished iron North Star sits near the top. “Book of Dreams” is boldly embossed along the Book’s iron spine. You can view photographs of the Book on the project’s website: www.bookofdreamsproject.org

Via EPR Network
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